Saturday, January 26, 2013

Le Jardin Tropical du Bois de Vincennes

Entering the Jardin Tropical was like entering a different world. The silence was eerie. There was no movement, nothing stirring, only a forest-like environment with complete solitude. Keeping in mind the historical background of the garden and viewing the vestiges of what had once existed made the whole experience seem out of time.




At the end of the 19th century, France set up a tropical agricultural research center in the Bois de Vincennes to increase crop yields of cacao, coffee, bananas, rubber, vanilla, nutmeg and other spices, which were crops raised in France’s colonies. However, in 1907, it became the site of a colonial exposition. Six different villages were built in the Jardin Tropical, representing areas of the French colonial empire at the time– Madagascar, Indochina, Sudan, Congo, Tunisia and Morocco (including a Tuareg desert camp.) Architecture was replicated and hundreds of men and women were brought over from the French colonies to be exhibited to crowds of visitors. In addition, there were authentic recreations of pavilions of Congo, Indochina, French Guiana, Madagascar, Dahomey and Tunisia. Two million people came to see it all during the six months of the exposition. For the visitors, going to the colonial exposition was like being transported to another world; their first exposure to people and practices so far-removed from their own must have been an unreal but fascinating experience. In addition, the belief that it was Europe's duty to bring civilization to heathens gave visitors a sense of racial superiority to the native peoples on display.
 
When the agricultural research center was moved to another site, the garden gradually deteriorated into ruins and remained abandoned until 2003, when it was bought by the City of Paris. Since then, the site has remained neglected, either for lack of funds to renovate it (it would probably take 6.5 million euros to renovate the garden) or because it’s an embarrassing reminder of an exploitative period in French history. In any case, the disintegration of the garden continues and only vestiges of the pavilions and mini-villages are all that’s left.
 

Entrance sign to the Jardin Tropical, located at 45 bis, Avenue de la Belle-Gabrielle,
in the Bois de Vincennes, 75012
 

Entrance to the Jardin Tropical with the Chinese Gate in the background
 
 
The Chinese Gate

La Porte Chinoise (The Chinese Gate) is situated at the entrance to the Jardin Tropical. To the right of this gate is the Asian part of the garden, and to the left is the African part. On this gate, sculpted in wood, were flowers and other intricate designs, but time has taken its toll, and the bas-relief figures and ornamentation are either gone or no longer as distinct as they once were.
 
 

A path leading into the garden
 
 
Khmer bridge and stupa, a religious monument, from a distance
 
 
This is the Khmer Bridge of the 7-headed naga, which is a serpent-being. Its fan-like rendering is on either end of a concrete bridge. The Buddhist naga has the form of a cobra-like snake, usually with one head , but sometimes with many. Some nagas are capable of using magic powers to transform themselves into human shapes.


Monument aux Cambodgiens et Laotiens morts pour la France (Monument to the Cambodians and Laotians who died for France) This monument is a stupa, a Buddhist religious monument. It is dedicated to the combatants in Indochina who were from Laos and Cambodia.
 
 
Dedication plaque on the stupa
 

Small Chinese pagoda
 
 
Path across the Khmer bridge leading to the Esplanade du Dinh
 
The original temple on the Esplanade du Dinh was built in South Vietnam and brought by the French government to the 1907 Exposition in the Jardin Tropical. It represented an elaborately decorated dinh, a town hall typically found in a Vietnamese village. It was quite large with intricate wooden ornamentation. In 1919, Emperor Khai-Dinh dedicated the temple to the Indochinese soldiers who died in World War I. On the night of April 21, 1984, the temple was destroyed, presumably by arson. It was replaced by La Pagode Cochinchinoise rouge (The red South Vietnamese pagoda) built in 1992.
 
 
Memorial dedicated to the Indochinese soldiers who died in WWI
 
 
The Red Pagoda replaced the original Vietnamese temple destroyed by fire
 
 
Plaque dedicated by Emperor Khai-Dinh
 
 

Red Pagoda
 
 
Red Pagoda
 

Stone dragon motif on the steps
 
 
 
Facing the temple across the courtyard is a very large portico
 
 
In the center of the courtyard is a bronze funeral urn, a copy of one of the 9 funeral urns of the palace of Hue, the imperial capital of the Nguyen dynasty in Vietnam from 1802 to 1945.

 
Bronze funeral urn
 
 
 
Small lake
 
 
Le Pavillon de la Tunisie (The Tunisia Pavillion)
 
 
The slats in fan shapes are part of an art installation. It is interesting-looking, but I don’t think the art complements the building or vice-versa.
 

On the path leading away from the Tunisian Pavillion
 

A view from the back of the Tunisian Pavillion
 
 
 
A pond behind the pavillion
 
 
Le Pavillon de L’Indochine (The Indochina Pavillion) is still in use for environmental offices.
 
 
 
The Indochina Pavillion
 
 
La Serre du Dahomey (The Greenhouse of Dahomey - Benin today)
The heated greenhouse of Dahomey for tropical plants is located beside the Indochina Pavillion.
 
 
 
The bas-reliefs on the greenhouse were inspired by plant and animal life.
 


A man-made waterfall for the exposition
 

A sculpted wooden bridge
 
 
A man-made lake
 
 
The kiosque of Reunion Island
The kiosque is all that’s left of the Le Pavillon de la Reunion (Pavillion of  Reunion Island, off the southeastern coast of Africa)
 


The kiosque was meant to be a place to sample exotic food and drink from the French colonies; its interior panels displayed 16 species of wood from tropical trees. Today the wood is somewhat degraded, but the wood has resisted the elements without having been treated beforehand.
 
 


Kiosque of Reunion Island
 
 
La statue d’Eugene Etienne, a French politician, is situated just beside the kiosque of Reunion Island. He was born in French Algeria. He was the Under-Secretary of State to the colonies from 1887 to 1892, Minister of the Interior, and Minister of War before World War I.
 
 
Le Pavillon de la Guyane (The Pavillion of French Guiana)
 
 

French Guiana is located on the North Atlantic coast of South America.
 
 
 
 
Le Pavillon de la Maroc (Morocco Pavillion)
 
 
Remnants of blue mosaic tile above the window and door of the Moroccan  Pavillion
 
 
 
Sculpture of Perseus
Perseus, having slain Medusa, is holding her head aloft. Perseus killed Medusa (a monster with snakes for hair who turned people to stone if their gaze met hers) in what is now Morocco in the Garden of the Hesperides, the Greek version of the Garden of Eden. I’m not sure why this sculpture is in the garden, so I can only guess about the mythological connection. Maybe the sculpture is located in what was originally the Moroccan area, as it is nearby the Moroccan Pavillion.
 
 
A large obelisk dedicated in the 1920s to commemorate the sacrifice of colonial troops from Madagascar
 
 
Memorial to the soldiers of Madagascar
 

Inscription on the memorial
 
 

The Chinese gate on the way out of the garden,
looking toward the Avenue de la Belle-Gabrielle
 
This was not an easy place to get to. It is located at the eastern edge of the Bois de Vincennes, adjacent to the suburb of Nogent-sur-Marne. After visiting the Chateau de Vincennes, in the northern part of the Bois, I had planned to take a bus to the Jardin Tropical. My husband and I questioned every bus driver at the nearby bus station, but none knew where the garden was. Neither did the taxi drivers, or else they just didn’t want to go that way. We went home. On Sunday, we set out again, this time taking the RER Line A, the railroad line from the Gare de Lyon to Nogent-sur-Marne. Unfortunately, there was no one at the information kiosque at the Gare de Lyon, so we used a metro ticket to board the RER. Don’t do this. You can get ON the train, but you can’t get through the turnstile at the Nogent-sur-Marne station with a metro ticket. We are not scofflaws and never try to cheat the subway system, but there was no one in the station office, so we did the only thing we could do--ducked under the turnstile, since we are not young and agile enough to hop over it.


The garden was a short walk from the RER station. Runners in a 5K race were streaming by on the Avenue de la Belle-Gabrielle, which passed right by the garden. All commotion and noise stopped once we entered the garden. Although it is in a deteriorating state, the garden was fascinating, and even my husband was intrigued. I can only imagine what this garden would look like if the buildings and grounds were restored to their former glory. I loved this place--although it was deserted and solitary, it was alive with history.


 
 
 
 

 
 
 
 
 
 
 

 
 

 





 
 
 



Thursday, January 24, 2013

Metro Station Art

Metro Pont Neuf

The Pont Neuf metro station displays large reproductions of various French coins adorning the walls and ceilings.The reason for this motif is the nearby location of the Monnaie de Paris (Paris Mint). The Paris Mint was created in 864 to issue coins and medals and is the oldest of French institutions. The Hotel de la Monnaie (House of Coins) dates back to the 18th century, when Louis XV decided to use the building for minting coins. The numismatics museum in the Hotel de la Monnaie is located in what was once the main foundry. The museum is open to the public and shows a pictorial history of the French franc, which finally becomes the euro



The Pont Neuf metro station
 
 
Replicas of real coins, some from antiquity, are displayed on the wall.

Besides ancient coins, you can see a large medieval coin with a fleur-de-lis around the edge. The fleur-de-lis looks like a stylized lily and was associated with the French monarchy. There is also a Knights Templar coin from the 13th century with a cross on it. The Knights Templar were noblemen-warriors whose mission was to guard pilgrims in the Holy Land.

 
The coins continue across the ceiling and down the opposite wall.
 
 
“La Semeuse,” (she who sows), the largest coin in the photo, is a highly popular design on French coins and stamps.
 
 
A vintage coin press machine

 
Metro Cité

The Cité metro station lies underneath the Île de la Cité, one of two islands in the Seine River. It is in the 4th arrondissement near Kilometer Zero, which is located on the square facing Notre Dame cathedral and is considered the official center of Paris. The station has globe lighting along the track itself, reminiscent of old-fashioned street lights.
 
 
 
Old-fashioned globe lighting spans the platforms of the metro station. The walls look like the riveted steel hull of an old ship. Since the Paris coat of arms features a boat on the water, the rendering is appropriate.
 
 
 
Cité sign with globe lights
 
  
Because of the station's depth, passengers must walk down to a mezzanine level, which contains ticket machines, and then another three flights of stairs before reaching platform level.
 
Metro Varenne

The Varenne metro station is the closest station to the Rodin Museum on rue de Varenne in the 7th arrondissement. The metro stop features two of Rodin’s sculptures on the platform, The Thinker and The Monument to Balzac. The Thinker is one of the most recognizable sculptures in the world, and you can see it fittingly displayed in the garden in front of the Rodin Museum. Also in the garden is the sculpture in memory of Balzac, which was rejected in 1898 by the writers’ association that commissioned it because, as Rodin put it, he portrayed Balzac’s persona rather than his likeness. The sculpture was too unconventional for the time.
 
 

Metro station Varenne
 
 
The Monument to Balzac
 

The Thinker
 
Metro Richelieu-Drouot

The Richelieu-Drouot metro station is named after Richelieu, Secretary of State to Louis XIII, and Antone Drouot, Aide-de-camp to Naploeon, who accompanied him to Elba, the island of Napoleon’s banishment. Coming upon this striking bronze sculpture in the depths of a metro station was quite a surprise for me. Carlo Sarrabezolles (1888-1971) sculpted the Monument aux Morts (Monument to the dead) in 1931 in memory of the Paris metro agents who died for France during the First World War. In the center of the monument is a caryatid in black marble, a sculpted female figure frequently used in France as an architectural support in place of a column or a pillar. The half-circle is inscribed with the names of the metro employees who gave their lives during the war. On the bottom is listed the battlegrounds during the war between 1914 and 1918.The word “Liberation” became part of this sculpture after the Second World War to commemorate the participation of deceased agents who were members of the Resistance network.
 
 
Monument aux Morts
 

Metro Champs-Elysees Clemenceau

The Champs-Elysées Clemenceau metro station has artwork by ceramist and painter Manuel Cargaleiro, (born 1927 in Portugal), who produces earthenware squares, the Portuguese “Azulejo,” an art that still has its importance in Portugal. In 1957 he moved to France, where he received numerous public commissions from the French Ministry of Culture, including an installation of frescos in the Champs-Elysées Clemenceau metro station in Paris in 1995. His compositions are based on geometrical modules and primary colors, suggesting movement in space. He received recognition and honor both in France and in his native Portugal. Cargaleiro lives and works in Paris.
 
 
Ceramic mural by Manuel Cargaleiro
 
 
 
The artist is known for his geometrical figures and primary colors.
 
 
Geometrical figures and bold colors
 
 
Metro Hotel de Ville

The Hotel de Ville metro station is located below City Hall, where the mayor of Paris conducts his business. In the metro station, there is a large coat of arms of the city of Paris. Prominent on the coat of arms is a silver-white sailing boat on the waves against a red background. Paris had its beginnings on the Ile de La Cite, in the middle of the Seine River. The diamond-like shape of the island gives the appearance of a vessel sailing on the waters. The top of the coat of arms is crowned with golden fleur-de-lis against a blue background. Clovis, the first king of France used the fleur-de-lis as a royal emblem in 507 AD. The motto is “Fluctuat nec mergitur,” (She is buffeted by the waves but does not sink.) The Legion of Honor medal, the highest decoration in France, is at the bottom of the coat of arms in the middle; The Croix de Guerre (War Cross), a French military decoration of World War I, is on the right; and The Ordre de la Liberation (Order of Liberation), awarded to heroes of the liberation of France during World War II, is on the left. The coat of arms appears frequently on public buildings all over the city of Paris.
 
 
The coat of arms of Paris
 
 
The coat of arms of Paris
 
Metro Bastille

The Bastille metro station pays homage to French history by illustrating on huge, colorful frescos, events leading up to the French Revolution. The storming of the Bastille by a crowd took place on July 14, 1789. This date is celebrated as French Independence Day.
 
 
 
Liberté, égalité, fraternité (Liberty, equality, fraternity), the rallying cry of the French Revolution
 
 
 
The writing of a French constitution
 
 
 
A 400-livre note was the first issue of currency replacing the franc after the French Revolution (1792)



The symbol on the 400-livre note included a Republican eagle holding a bundle of wooden sticks and topped by a Phrygian cap--the French Revolutionary symbol of freedom. (The Phrygian head-piece originally was worn in Roman times by liberated Phrygian slaves to indicate their freedom)

 
 
The fiddle and drum corps at the storming of the Bastille
 


A view of the Canal Saint Martin from the window of the Bastille metro station