Friday, October 31, 2014

The Baccarat Crystal Palace

This former mansion, which has become the headquarters for the Baccarat Museum-Gallery in Paris, once belonged to Viscountess Marie-Laure de Noailles, a patroness of the surrealist artists in the 1920s. Renowned French designer Philippe Starck did an extensive renovation and redesign of the building, infusing the decor with his own sense of surrealism. The building is part museum and part showroom whose décor is all razzle-dazzle, with a touch of quirkiness. In Philippe Starck’s own words, “Baccarat is a world of illusion originating from the glitter of light on the facets of cut crystal, and it led me to dream up a crystal palace where everything is possible."


Entry to the Gallery-Museum from the Place des Etats-Unis in the 16th arrondissement
(Valet parking is available.)


Baccarat Chandelier

On entering the building, at the end of the ground-floor passageway, a fully-lit crystal chandelier hangs partially submerged in a glass tank of water. I couldn’t figure out what it was doing there, unless it was a demonstration on how to clean a chandelier by dunking it in a tank of water. Silly me. It is an art installation by Philippe Starck, but why the tank has wheels on a track is still a mystery.



One of two fireplaces in the entry passageway made entirely of mirrors 
Another bit of whimsy from Philippe Starck


Red carpet with twinkling fiber-optics


The entry stairs up to the boutique
If areas in this building seem shadowy, it is by design. Darker areas are punctuated by light to add interest and emphasis.


One of two magnificent crystal urns in the entry way
It has a white resin oval on which there is a barely distinguishable woman’s face. 


Calling this a “floor lamp with red hurricane lamps” doesn’t seem to do it justice. A “floor candelabra” that is much less ornamental costs around $45,000 in the Baccarat catalogue. I can't explain the child-size chair, so I won't even try.


The Boutique with a forty-two-foot-long mirrored Viewing Table
The bling in this room is dazzling.


Mirrored tables help display Baccarat's exclusive wares.
Founded in 1764, Baccarat crystal is among France's most prestigious exports. The crystal is sold at exclusive Baccarat boutiques around the world, as well as at high-end stores such as Neiman Marcus and Bloomingdale's, where their elegant wine glasses start at about $60 apiece and go up from there. These butterflies on the Viewing Table cost around $115.  

The new headquarters is meant not only to show off the company’s distinguished history, but also to reflect an updated image for the 240-year-old company. The company wants to broaden its appeal from sales of crystal as a wedding gift staple to a glamorous component of modern entertaining. To further broaden its appeal, the company introduced a highly successful line of crystal rings, bracelets and necklaces, which now accounts for more than 25 percent of total sales. 


An exquisite floor lamp in one corner of the boutique


A Baccarat chandelier in the boutique


The Viewing Table as seen from the opposite end of the room.
The Sales Associate  in the upper left hand corner never let me out of her sight. She followed me into each of the next 2 viewing rooms.


A display case featuring vases


Close-up spiral vase    


Display case with tall vases


Close-up of one of the tall vases


Display case with crystal treasures


Crystal center pieces


Tall crystal centerpiece


A fun crystal cookie tree


Second boutique, jewelry-viewing room


Third boutique, Game room/library


Vase with orchids & books


Up a sweeping marble staircase to the grand foyer


Designer Starck created a satin and crystal chair 6 ½ feet tall.


A massive 157-light antique Baccarat chandelier hanging above, turning slowly, lights the stone stairs leading to the second floor.

Up the staircase, there is a restaurant called the Baccarat Cristal Room, now reputedly one of the best in Paris, certainly one of the most expensive.  The coveted stainless steel tables set with Baccarat candlesticks and glasses are booked about two months in advance. I didn’t plan on lunch in this resto, and the young hostess assumed as much because she barely noticed me. 

The Museum-Gallery is also on this floor, and photos aren’t allowed, but at least no one followed me through the museum rooms replete with incredibly valuable creations. The crystal museum showcases chandeliers and goblets crafted over the centuries for kings, popes and the ultra rich and famous. There are cases displaying rare and/or historic Baccarat items: 12-foot candelabras ordered by Czar Nicholas II; the crystal and glassware with monograms and personal insignias commissioned by Aristotle and Jackie Onassis, and by Prince Rainier III for his wedding to Grace Kelly; plain crystal plates favored by Coco Chanel; wedding tableware made for Josephine Baker. And there are lavish crystal tables and chairs custom ordered by 19th-century maharajas that were delivered on an elephant's back. I especially enjoyed the room with the table set with crystal glassware used by well-known personages such as Franklin Delano Roosevelt, Pope John Paul II, Grace Kelly and the Shah of Iran.

FYI: "Baccarat. Les 250 ans" at Maison Baccarat’s Museum-Gallery in Paris celebrates its 250th anniversary in 2014. The special exhibition lasts until January 24, 2015. Admission is 7 euros. The Baccarat web site:   www.us.baccarat.com or www.baccarat.fr 







Thursday, October 9, 2014

Conciergerie: Palace and Prison

The Conciergerie  was part of the former royal palace, the Palais de la Cité, now known as the Palais de Justice, which is still used for judicial purposes. From the 10th to the 14th centuries it was the throne of the medieval kings of France. The concierge, or keeper of the royal palace, gave the place its eventual name.


On the northwest corner of the palace/Conciergerie is a rectangular lookout tower, called  “the clock tower,” because the country’s first public clock was installed there. This photo was taken from the Place du Chatelet, just across the Seine River.



The three round towers are named: la tour Cesar (The Caesar Tower) in remembrance of the Roman presence; la tour d'Argent (The Silver Tower), which alludes to the royal treasury, which was kept there; et la tour Bonbec (the crenelated, Good Beak Tower), which housed a torture chamber, where victims were coerced to “sing.” 


The original clock was replaced in 1585 by the clock face and additional sculptures of Germain Pilon. The sculpture on the right represents Justice and the other Law. Pilon was a French Renaissance sculptor who was responsible for the funerary monuments of  King Francois I and King Henri II (truly stunning) in the Saint-Denis Basilica. 


An apt Latin inscription was added to the clock during its restoration: 
MACHINA QUÆ BIS SEX TAM JUSTE DIVIDIT HORAS JUSTITIAM SERVARE MONET LEGES QUE TUERI
“This machine, which divides time into twelve just parts, helps us to protect justice and defend the law”


Entrance to the Conciergerie
The Conciergerie and Sainte-Chapelle are often visited together, as they are within the same complex of buildings. 


Conciergerie poster


The "Grand Salle" (Great Hall) was one of the largest in Europe, and its lower story, known as "La Salle des Gens d'Armes" (The Hall of the Soldiers) survives: 210 feet long, 90 feet wide and 28 feet high. It was used as a dining-room for the 2,000 staff members who worked in the palace. It was heated with four large fireplaces and lit by many windows, now blocked up. It was also used for royal banquets and judicial proceedings. 


The Great Hall
The hall is not brightly lit, but the size is so imposing and the Gothic columns so huge that I felt its size was overwhelming.


In the Great Hall, looking back at the entry 


The massive pillars in the Great Hall


Standing in one of the 4 fireplaces and looking straight up toward the chimney


Video viewing corner
A video gives the history of the Conciergerie with special reference to its role during the Reign of Terror.


Marble table placard


Fragment of the black marble table used during the sumptuous receptions held by the monarchy


A bas-relief, featuring cornucopias and a snake-haired Medusa


Behind the arched grates is the Conciergerie gift shop.


A gift shop in a former prison 
You must pass through the gift shop in order to continue the tour.


An unflattering portrait of a very simply-dressed Marie-Antoinette, about to stand trial for being an enemy of the Revolution


Busts of Robespierre
Maximilien Robespierre (1758-1794) was a lawyer and politician and one of the best known and influential figures of the French Revolution. As a deputy representing the far left in Parliament, he attacked the monarchy and advocated for democratic reforms. 


Placard Maximilien Robespierre spent his last moments in these surroundings. 
Thermidor 10, Year 2 = July 28, 1794, when Robespierre was guillotined
“I leave you my memory. It will be dear to you, and you will defend it.”
Note: The Revolutionary Calendar began on the first day of the first year that the Republic had been proclaimed. Months were renamed according to nature: Thermidor (July) was “heat.”


A genuine guillotine blade used on a famous criminal, Lacenaire



Lacenaire committed a double murder, and Dostoyevsky may have used some of the circumstances of Lacenaire’s crime in his book, Crime and Punishment. Lacenaire was quite the self-promoter, which is why he was widely known in Europe.


An etching of the Conciergerie in 1790

The Conciergerie and the Reign of Terror

In 1391 part of the building was converted for use as a prison. The treatment of its  prisoners depended on their wealth, status and connections. The very wealthy or influential usually got their own cells with a bed, desk and materials for reading and writing. Less well-off prisoners paid for simply furnished cells called pistoles, which were equipped with a rough bed and perhaps a table. The poorest, known as the pailleux from the hay (paille) that they slept on, would be confined to dark, damp, vermin-infested cells called oubliettes ("forgotten places"). 

The French Revolution began as the culmination of a “Perfect Storm” of circumstances. Unfair taxation, social inequality, government debt, warfare with Austria and Prussia and famine conditions all precipitated the revolt against the monarchy. Extreme radical revolutionaries ruled France in 1793-94. The Law of Suspects on September 17, 1793, declared that anyone considered a counterrevolutionary or enemy of the republic was guilty of treason, and thus condemned to death. The accused were given no opportunity to defend themselves. The Revolutionary Tribunal sent nearly 2,600 prisoners to the guillotine. The nobility and clergy, who had always received deference in taxation matters, were especially despised by the revolutionaries. 

Despite lasting only ten months, during the Reign of Terror  (September 1793-July 1794),  more than 40,000 people died from execution and imprisonment. The Conciergerie prison, also known as the "antechamber to the guillotine," became the central penitentiary of a network of prisons throughout Paris, and was the final stop of over 2,700 people who were summarily executed by guillotine. Prisoners were guillotined every day by “Monsieur de Paris,” as all executioners were called, and the guillotine was dubbed the "National Razor," as the patriotic instrument of execution. The quality of life of the prisoners while in the prison was based mainly on their personal wealth, as it had been in the past. 

Chapel of the Girondists

The small royal chapel was called the “Chapel of the Girondists” after 21 Girondist deputies were imprisoned there on the nights of October 29 and 30, 1793. The Girondists were a political faction fundamentally opposed to the monarchy, but less fanatical in their desire to overthrow the monarchy. The Montagnards, the Girondists’ main opposition, proved to be ferocious men of action rather than theorists and radical thinkers. The Girondists were accused of being traitors and enemies of their country


The Altar in the Chapel, with the wall draped in black hangings, a traditional sign of mourning


The Chapel with the Crucifixion and a confessional


A painting of Christ on the cross in the Chapel


“The Last Banquet of the Girondins”

On the eve of their execution, the Girondists organized a banquet, a scene which has inspired more than one painting titled, “The Last Banquet of the Girondins.”  Felix Philippoteaux painted this scene in 1850, in which one of the Girondins had committed suicide rather than face the guillotine. On October 31,  they were executed by guillotine. “It took 36 minutes to cut off 22 heads.” (I don’t know who the 22nd one was.) Their execution was the beginning of the Reign of Terror.

Expiatory Chapel of Marie Antoinette (expiatory = offered in atonement) 

Marie-Antoinette (1755-1793), Queen of France, spent the final two months of her life in this prison, before her execution on October 16th, 1793.  The actual cell was transformed in 1816 into a “chapelle expiatoire,” consisting of a very small room painted entirely in dark blue, a colored glass window reminiscent of church windows, a cenotaph on one side of the room, and an altar on the other. The queen appears in  paintings representing events of her last days.


A stele (a stone slab bearing an inscription for a commemorative purpose) in honor of Louis XVI in the Expiatory Chapel


A stele in honor of Louis XVI’s royalist sister, Princess Elisabeth (1764–94), who also went to the guillotine. 


Marie Antoinette Cenotaph in the Expiatory Chapel (A cenotaph is a marker for a person whose body is buried elsewhere. In Marie Antoinette’s case, her remains will probably never be identified definitively.) The cenotaph reads:

On this site, Marie Antoinette, Jeanne of Austria, the widow of Louis XVI, after the death of her husband and the removal of her children, was thrown into prison, where she remained for seventy-six days in anxiety, mourning, and abandon. But strengthened by her courage, she showed herself to be, in chains as she was on the throne, greater than her fortune. Condemned to death by criminals, awaiting her death, she wrote an eternal monument to piety, courage, and all the virtues on 16 October 1793. All who come here, adore, admire and pray.

That my son never forget the last words of his father, which he repeated explicitly for him, that he never try to avenge our death. I pardon all of my enemies for the ills they have done to me.


Painting of Marie Antoinette above the altar in the Expiatory Chapel, “La Reine dans son Cachot” (The Queen in her Cell)  by Gervais Simon, against a wall covered with silver tears


Marie-Antoinette, seen from behind, is shown sitting in a cell at a small wooden desk, guarded by a member of the National Guard. This scene is a reconstruction of the cell in which the queen was imprisoned. 


The bed in Marie-Antoinette’s cell


The Women’s Courtyard, surrounded by two floors of prisoners’ cells.
The women were able to wash clothes in a fountain that still exists in the courtyard. The “Corner of the Twelve” is visible in the background on the left. Prisoners were held here in groups of twelve and allowed to say their good-byes through the grate before being taken in a cart to the guillotine. 


“The Guillotined of the Revolution. A detailed list of the 2,780 people condemned to death in Paris.” 



The names of each person detained in the Conciergerie were inscribed on a register.


The various categories of prisoners are shown by a series of cells.
A desk in the wealthy/influential person’s cell


A bed in the cell of a wealthy person 


A “pistole” for less well-off prisoners


An “oubliette” for the poorest prisoners (payeux), who had only hay to sleep on


The Thermidorian Reaction 

The Reign of Terror ended in July 1794 with the "Thermidorian Reaction." By June 1794 France had become weary of the ever-increasing executions (1,300 in June alone.) The Thermidorian Reaction was a  parliamentary revolt initiated on 9 Thermidor, year II (July 27, 1794), which resulted in the fall of the leading advocate of the Terror, Maximilien Robespierre, and the collapse of revolutionary fervor. It was a revolt against the excesses of the Reign of Terror and was triggered by a vote of the National Convention to execute Robespierre and other leading members of the Terror. Thus ended the most radical phase of the French Revolution. 

The Conciergerie was decommissioned in 1914 and was opened to the public as a national historical monument. It is today a popular tourist attraction, although only a relatively small part of the building is open to public access; much of it is still used for the Paris law courts. There is a reduced rate if you buy tickets for the Conciergerie and Sainte-Chapelle together. (12.5 euros) It costs 8.5 euros each if you visit only one. It doesn’t take long to visit them both.

The Conciergerie  resonates with  events in French history that changed the course of the country forever. Being in the actual place where so many history-making events occurred, as somber as many of them were, was a little eerie but worthwhile all the same. What was really scary was that the Reign of Terror was carried out by those in  law-making positions and under the guise of patriotism. The revolutionaries were duly-elected officials and, as karma would have it, were ultimately executed by other duly-elected officials adhering to  the same set of rules as the revolutionaries had followed when they were in power.